“Chicago is a theatrical gem that should not be missed“
Daniel Alejandro
4/5 Stars
Capitol Theatre
Sydney
to July 28 2024
“Who says that murder is not an art?!” The sassy question that describes the musical “Chicago,” whichopened last night at Sydney’s Capitol Theatre. Dearest reader, this musical not only never gets old, but it also becomes more poignant in this social media-fuelled world of ours, where alternative realities are the norm and truths are often debated, if not completely trivialised.
“Chicago” is a dazzling and satirical musical take on the Roaring Twenties, set against the backdrop of jazz-infused Chicago. Its themes are rich and complex, weaving together a critique of the criminal justice system, the power of media, and the pursuit of fame. It is worth noting that “jazz” was code lingo for sex in the 1920s, hence how naughty the characters feel when they sing, “Everywhere booze, everywhere jazz!”. This musical is sexy, sassy, funny, shameless, and absolutely delicious to watch!
My favourite part of this musical is the decadent interactions and choreography of the dancers, especially in the song “Cell Block Tango” The acclaimed musical theatre choreographer Gary Chryst beautifully choreographs all of it in the original style of Bob Fosse. The production design is sleek and stylish, capturing the essence of the 1920s era.
The talented star cast brings their characters to life with exceptional singing, dancing, and acting skills. The energy and chemistry on stage are palpable, and the audience is quickly drawn into the dark and twisted world of these characters.
Zoe Ventoura (Packed to the Rafters, Little Johnny) interpreted the fabulously ruthless Velma Kelly to perfection. Her rendition of “All That Jazz” set the tone for the whole musical, and her acting in “I Can’t DoIt Alone” and “Class” was excellent.
Our favourite lawyer in musical theatre, Mr. Billy Flynn, was portrayed and epically sung by the beloved Anthony Warlow, who needs no introduction. Helpmann Award-winning actress Lucy Maunder masterfully played the complex and funny role of Roxie Hart. Her perfect mix of girly innocence and cruel wit was funny to see as she performed “Funny Honey” and “Roxie”, among others. I loved the decision to cast Australian comedy actor Peter Rowsthorn as Amos Hart and Stephen Valeri as Mary Sunshine. It is great to see diversity in the cast, and their roles were beautifully interpreted. The portrayal of Mama Morton did not feel as sassy and inspiring as in previous productions and sometimes the overall energy of the production was flat, but I am sure it will only improve after opening night. Whether you’re a seasoned theatre goer or new to the magical world of musicals, “Chicago” is an absolute must-see. It’s a show that not only entertains and dazzles but also leaves a lasting impact. It reminds us of the power of ambition, the allure of fame, and the consequences of our choices. In short, “Chicago” is a theatrical gem that should not be missed. Its intoxicating blend of mesmerising performances, unforgettable music, and thought-provoking themes will leave you spellbound. So, grab your seat and prepare to be transported to a world of jazz, murder, and razzle-dazzle. You won’t regret it.
Daniel Alejandro, Theatre Now
